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Here, all four parts came through solidly, and the dance-happy tunes sounded great and peppy, rather than garbled and bass-heavy.Īfter "Come Under The Covers," yet another power pop powerhouse as well as one of the few new additions to the setlist since 2015, the band finally had their first interaction with the crowd, busting out a "Wayne's World" Mille-wah-que before briefly noting this was their fourth Big Gig show and jumping into "Different Colors." Petricca would grow a little chattier as the night went on – eventually climaxing in a speech about "pain as information" and then leading the crowd in a repeat of his group relaxation session – but overall, save for those short chats and some odd ethereal song breaks, Walk The Moon just kept sprinting forward through their setlist. Cellular Connection Stage one, where the bass threatened to overwhelm the entire show and the lyrics were occasionally muddy. The energy kept riding high into "Avalanche," and while all three songs were 2015 repeats, one big difference from two years ago became clear: The audio mix at the Miller Lite Oasis was infinitely improved from the U.S. "Next in Line" was, indeed, next in line for Walk The Moon, yet another big, bright, power pop anthem – this time complete with Imagine Dragons-approved bonus drums for Petricca to pummel the hell out of and his cute little two-step sways from behind his keyboards. For those expecting a lighter, peppier pop performance on par with the band's monster smash, it may have been a surprising start – but it worked perfectly, getting the night off to a rollicking start. The band may not have had a lot new to offer after two years away, but thankfully the old reshuffled material is still nowhere near lacking in life.Īfter again emerging triumphantly on stage to the sounds of "The Lion King," Walk The Moon – led by the casually blonde mohawked lead singer Nicholas Petricca – opened on a slightly different note from their last visit, moving up the thrashing, screaming, high-on-energy low-on-accurate-spellings rocker hit "Up 2 U" to the opening song slot. The most important similarity to the Cincinnati rockers' last visit to Milwaukee, though? Their Big Gig concert was, once again, a live-wire launch of joyful and colorful dancing and fun, in front of yet another packed crowd (though no longer "World War Z"-esque mountainous hordes of fans, more just feeding day on "The Walking Dead" levels). Even its setlist Friday night sounded mostly familiar to the one from its last appearance, certainly ending on the same final trio: "I Can Lift A Car" and "Shut Up And Dance," followed by an encore of "Anna Sun." The band has yet to release a new album since 2014's "Talking Is Hard" (other than a live album in 2016), and it brought out few new songs since that night at Summerfest, save for a collaboration with Steve Aoki and Boehm in the middle of 2016 and a go at the beloved theme song from "Ghostbusters" for the remake last summer. Two years later, as Walk The Moon hit the Miller Lite Oasis stage, not much has changed since then. And thankfully Walk The Moon delivered to the mammoth audience, launching everyone there on a great ride into bright, bubbly, blissful power pop orbit. So, of course, the crowd gathered that night accordingly, piling around the relatively small, obviously overmatched grounds stage in zombie invasion-esque numbers.
#Different colors walk the moon album cover full
By the time Summerfest opened up, the song graduated to full global domination, played every ten minutes on Top 40 radio and guaranteed a place on every single wedding reception's playlist for years to come. When the grounds stage headliners that year were announced, the Ohio band's song, "Shut Up And Dance" (MAYBE you've heard it?), had just begun to dominate radio waves.
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Cellular Connection Stage walking on top of the world.